267 Royalty-Free Audio Tracks for "Synth One"

An alarm inspired by the utsuho reiuji one in touhou 11/12. 3! this might have been done with a vst called ice cream but that's only because i hear some suggestions of a tritone in there. (i made this a while ago. ) in any case, it appears to be the result of noodling around in mixcraft 6!.

These will go well with any electronic or rap sound, or layered with acoustic drums for pop-rock or indie music. Apx half or more of the sounds were generated by me from one of my synths, and most of the others have been heavily altered from a "606" drum machine. Email me for the full library (free).

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

For my 300th sound i wanted to wait a while until one came up that was right. This is what i present to you as my 300th freesound. A dark and creepy wee drone. From jarred gibb - drones. Keep an eye out for my upcoming pack - mcdonalds.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

A request fulfillment for djkasamyo. One octave plus a few on two different synths i made that i thought might fit the bill of what you're looking for. At the end of each play through is the opening riff of the song i modeled this off of, at your request. If you have any critique, let me know.

A jumpscare/screamer sound that can be used for a horror game. I yelled into the mic, i then edited it with a few effects, then i added one of the snare samples built into the daw, then i added a synth (fake synth built in to the daw) and then heavily distorted it with a few more effects. My yelling was recorded with my phone's built-in mic and the daw i used was fl studio mobile (used cloud storage to transfer to my computer). I made this for my five nights at freddy's fangame.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

That's not me. That's a sound i recorded from a synthesizer, on my tape recorder. It's supposed to be the sound of a man laughing - i think it sounds like one of my characters laughing. His name is david mcmurturie-alexander (also known as replica david).

Another patch on vcv rack. Sick! why am i doing this when i have the real thing :-) well it's fun and convenient. I can test modules and patch ideas. If i have three square waves i will do this one at home too. I have done similar patches before on my eurorack. . . . ((. . . And i can do it at work. . . )).

I whipped up this wacky reinterpretation of the twilight zone intro while doing a sound design concept. This was made using "caustic" an android music creation app by single cell software on my htc one. Http://www. Singlecellsoftware. Com/caustic. I used a default piano synth, played around by ear and applied aparametric equalizer effect. I'm not much of a musician but it turned out alright! :).

Decided to call this sound "electronic modular rhythm" since i found only one other spot on the net with that combination of words. Probably is there some sort of mistake to write like that, but now we are two to make that mistake. This is straight out of the modular. No processing but amplification. Please find a part that loops nice in your ears.

Modular made space (?) sound. Made a patch that generated some typicalmodular space sounds. Recorded. And now are you listening. Tip: take a part of the sound that seems to be quiet. Open it in yoursound editor. Amplify. . . Space is everywhere. Now slow down the speedof your sample. . . Space is deeeep and have multiple dimensions :-).

Boards of canada is one of my biggest influences, i made these chord progression, hope you like and enjoy. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

A simple the tune melody i made in garageband for something called victors crypt. It's just one synth-sound with additional sound in the background. Could be used for something eerie, scary and evil. In the background to make a suspence feeling perhaps?. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

Sustained m7 chord, root note e3, 45bpm. This is a small preview of an upcoming ambient sample pack i'm working on, which i'll be releasing to promote a short ep i've completed this year. The pack will come with lots of soft pads, synth one shots and soundscapes. It will be completely free of course and under creative commons 0, you can follow me here for updates. As always, feedback is very welcome!.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Looking for inspiration? my goal is provide you with all resources you need to make music you love. Right now i'm giving away only samples. Follow me on instagram, i'm going to share more things like tutorials, presets etc soon.

The original source for stretchdrone01. Aiff. Made back in 1980 on an octave/cat synthesizer and recorded to cassette. It's from a series of work tapes that i and my friend stephen mackay made under the "band" name late capitalism. The title for this one was "a five year contract with disney". We never did much with this material so feel free to use it as you see fit. Enjoy.

A bunch of weird and hopefully interesting noises. Created using the korg electribe 2 synthesis engine with alot of modulations and asynchron patterns. Post-processing in cubase. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

formatted for use in the make noise morphagene. This is a small collection of splices from inside my modular and some field recordings. These recordings correspond with some of my influences and hobbies of skateboarding, scuba diving, and camping. With these in a morphagene one is able to have a small window into my brain and how i sometimes see modular music. All splices made to work well with the make noise music system. Enjoy. .

This is reminiscent of the sound playing in friday the 13th pt. 2 when jenny puts on pamela vorhees old sweater and pretends to be her in an attempt to trick jason. One of the lines she repeats during the scene is "jason, mother is talking to you", hence the file name. This was made in fl studio using morphine. Its got a very eerie sound to it thats for sure. Use it in you horror score or for whatever you like.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

A short clip from one of my original compositions. All instruments, vocals and recording by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.

Privatedareno2 - 3patches - 3min. A challenge kindly started by alienxxx \(^_^)/. Patch 1: the patch that was… a patch i did yesterday. Got that one for free, so to speak. Patch 2: inspired by distant airplanes. Had this in mind. Now i patched up my idea. The wind (or what you decide to call it) is controlled by alm pip slope. New module – for me. Used an external effect, the zoom ms-70cdr. Patch 3: read about feedback. I decided to do a feedback patch. First i made one using oscillators, but i did not manage to do something nice. So i used filters. The first filters feedback is generating triggers. Oh, yes, and i used my sampler (soundmachines ul1uloop). So three patches. I merged/mixed them together in audacity. All sound unedited. Just normalized and i have applied fade in/out – and mixed them together - as written.

An instrumental piece i made in garageband for something called victors crypt!. I combined a beat i made on a drum machine with one i made on sampled drums to make it really swing. I added a cocky simple bassline to build more sounds to. Strings, horns and synth sounds were added as well. . . . Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific, mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

Glitch sfx #1. Modify/use however you want. I made this by playing a couple sine waves on different notes, then i added a fruity waveshaper to add harmonics whenever one of the sine waves clips, then filtered out the original sine waves, leaving you with the distorted harmonics you have here. Made with fl studio 12, massive, waveshaper, and edison. If you use this in anything, please put it in the comments, me and other people may want to check it out!.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

The fundamentals of this patch is from the doepfer home pagehttp://www. Doepfer. De/a100_man/a100_patch. Htmthe patch they call "random melody". I call the sound "random melody from doepfer site". Boring. . . I added a voice with some delay/reverb fx and some simple drums. The high-hat is made from white noise and the bass drum isa self oscillating filter. I have used a minor scale on my doepfer a-157 quantizer. This sound is slitly treated in audacity. A little compressor and limiter. Review from one of my kids: "well, there is some rhythm".

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

A short clip from one of my original compositions. All instruments and vocals by f. Benjamin (me ~ badoink)equipment used: audacity, yamaha synthesizer, zoom r8 portable studio, hydrogen and my gronked up brain. All my sounds are licensed as creative commons 0 and can be used for whatever you like. I don't require that you give me credit but it is appreciated. I answer all my messages here so feel free to contact me.

Ff chaos test conditions:cv in from nlc jerkoff. Square wave in from lfo, 1hz. 3 vcos tuned to 130,8hz and one "strange sound". Cv in on vcos are attenuated, about 50%. Gate 1 and cv 1 to vco pan leftgate 2 and cv 2 to vco pan rightgate 3 to vco pan centertrigger to "strange sound" pan center. Sound 1 - cv min and rate minsound 2 - cv max and rate minsound 3 - cv min and rate maxsound 4 - cv max and rate maxsound 5 - cv at 50% and rate at 50%sound 6 - jerkoff to cv in on lfo. Vco 3 gets cv from jerkoff - chaos.

Various sound effects from children's toys edited together. All are on a low quality speaker, but are usually unique. All spoken word sounds as well as specific things like laughs or animal sounds are in different sounds. They range from real sounds like cowbells and car horns to blings and ascending synth sounding noises for a correct answer. (some tags describe one or two sounds in a long list, so listen to all of them if you're looking for something specific).

Not gonna explain about this one much. Basicly i just made a simple patch on my virus c hardware synth which consists of 2 osc's (sine / saw), osc2 slightly detuned from the osc1. Fast pitch envelope on both osc's to get the "punch" part in the kick. Ran through virus's lowpass/bandpass filters, lowpass cutting from 100% to 0% with a speed of 1/4 beats to get a "filtering down" effect to the kick, bandpass rejecting slightly frequencies from a range of 400-600hz. Then i sampled it, many times and picked the best sample. Eq->distort->eq->distort million times and this is the result. Ofc i did some cutting and added some lowpass/bandpass filters with various mix levels @ some points and did some other shit also but basicly it's just eq & distort. Hf, its a decent kick but needs some fixing still since the punch is too separate from the bass.

1 looping envelope and 2 vclfos in a dance (chain connected). I think its harder for this combination to find a nice pattern - equilibrium. It happens sometimes. Maybe the mixture between positive and negative cv confuses the modules. Makes it harder. I start the recording with one of the vclfos in vco-mode. After about 17 sec i swith to lfo-mode. Records and hope that a pattern should emerge. I have been listening, and looking at the wave form, in different modes, but i'm not sure if there is a pattern in this recording. . . Maybe to advanced for me. There is - some -sort of pattern repeating every 22 sec. Or?.

Or some acid sounds… and drone. All in oneused filters are> doepfer a-124 special edition, the wasp filter> uoki-toki polivoks vcf> intellijel μvcfdidnt plan to upload this to freesound, but read this. Okay filter freaks. . . The frequency analysis reveals a peak around 20khz. Through all of the track? almost. What is that? (when i converted the file to mp3 the peak disappears. . . ) one clue could be that i use the filter as vcas too?i have applied normalisation, compression and limiter in audacity. A "documentary" at https://www. Youtube. Com/watch?v=wtzfkg3mxcgin the film i use the mp3-file.

No it didn't. Well cool patch anyway? it's what i like. Small variations on a simple theme. Sloth lfos and a jerk off (both from nlc) are the engine. Yes and a comparator. Using an or/gate-combiner to create a trigger-ish for quadra to react on. Analog delay and spring reverb. Why did i do this patch from the very beginning? when the voltage on x from sloth reaches a specific value a trigger is generated and i sample the value on y and uses to select pitch on an oscillator. The one playing the long tones. Chaos creates my variations. Sh1t, now when i've stopped recording cool thing are happening. Promise. . .

A soundscape of several thunderstorms mixed together to create a uniquely immersive, full field recording. This editing process allows for rain and thunder strikes to be recorded at different volumes and creates a more diverse atmosphere with different types of rain, wind, and ambiance melded into one found sound. Although each storm was recorded in a slightly different location, everything is from the greater detroit, mi, usa area. -recorded entirely with a tascam dr-03 set at 48 k / 24 bit. Then each different storm was edited together in magix music maker. -this album version fades out with a simple, repeating synth line.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. The knob changes the chaotic pattern. At some settings the signals will spend more time in one strange attractor than the other. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency at 12 o'clock. . . The output sound from filter goes to reverb.

Boring sound. . . Neuron patch (?). . . Inspired by nlc squid axon (i have saved some hp for that one!) i have patched up a simple 2 stage asr with 2 s/h. Most of the time it plays its atonal melody, but when the patch is stimulated (by a sloth lfo) feedback opens up. I can adjust the sensitivity in different ways (so i can simulate the intake of drugs. . . ). The sound from the oscs goes though vcfs with some resonance. The vcfs are controlled by the same sloth lfo. My neuron patch. . . No hands during recording. My favourite part is when nothing happens - for almost 1 min?! but you can hear the filter working via the vcfs. The cv must be in some strange area.

Created by anthony baldino for use in the make noise morphagene. "somehow making electronic music lead me to creating trailer music and sound design so it seemed fitting to make reel with a wide array of sounds from both types of music. This reel includes repurposed and re-mangled sounds that inspired music and sound design that have found their way into such trailers as interstellar, jurassic world , alien covenant, suicide squad, star wars: rogue one and others as well as glitchy beats and ambiences from upcoming electronic releases. In this reel you'll find impacts, processed orchestra, synth ambiences, modular beats and other noises that will hopefully inspire morphagene users to explore new music of their own. " - anthony baldino.