278 Royalty-Free Audio Tracks for "Synth One"

I made it using modbox. It possibly could be good for a video theme or something like that. Though it sounds a lot like my other ones. :).

Closed hh one-shot. These hi hats were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu hihats pack.

I've been looking for a similar effect for quite a few years and no one has built one. So, using a simple synth and bass drop worked wonders for what i needed. The sound effect is from the matrix and is the sound heard near the beginning when the police are attempting to arrest trinity, just before the agents get upstairs. When trinity jumps, this is that effect. My original concoction.

Ancient bits of sound i had rendered a long time ago for a friend's music project i secretly collaborated on ;). These are old programmed synthesizers with heavy effects, each one slightly different. And they're perfectly loopable if you want!.

Download the whole sample pack here: https://ghostsyndicate. Net/collections/free-sample-packs/products/free-samples-vol-1. All loops, one shot samples are 100% royalty free, key and tempo labelled and available to download in 24 bit wav. 24 bit 44. 1 khz320 mb104 drum and percussion loops20 bass loops25 synth loops8 pad loops16 fx18 one shot bass sounds2 cymbals8 kicks11 snares12 percussion hits18 hats.

Looking for inspiration? my goal is provide you with all resources you need to make music you love. Right now i'm giving away only samples. Follow me on instagram, i'm going to share more things like tutorials, presets etc soon.

Decided to call this sound "electronic modular rhythm" since i found only one other spot on the net with that combination of words. Probably is there some sort of mistake to write like that, but now we are two to make that mistake. This is straight out of the modular. No processing but amplification. Please find a part that loops nice in your ears.

5 quantussy cells controlling 2 oscillators, 1 wave folder, 1 filter and 1 drum module (bmc analog drum). Even the pitch of the drum is controlled by one of the quantussy cells. The drum sound to fed to the feedback in on doepfer a-199 spring reverb.

Mally and sculder met the reaktor at the point of some return. . . So its something lie sciefi sequence. The snipplet is one minute and 23 seconds long. Made with reaktor ensemble ahrendees. After that i sampled it a little in soundforge. Have fun with it!greetings from berlin city!_rob.

A jumpscare/screamer sound that can be used for a horror game. I yelled into the mic, i then edited it with a few effects, then i added one of the snare samples built into the daw, then i added a synth (fake synth built in to the daw) and then heavily distorted it with a few more effects. My yelling was recorded with my phone's built-in mic and the daw i used was fl studio mobile (used cloud storage to transfer to my computer). I made this for my five nights at freddy's fangame.

In this patch i use bastl instruments tromsø as comparator, sample and hold and oscillator (3 in 1). The cv is coming from nonlinearcircuits jerk off. The audio out from tromsø goes through nonlinearcircuits timbre!. Some delay from an analog delay pedal and reverb from doepfer spring reverb. One voice exploring a chaotic cv source. I sold one of my tromsøs a while ago. Will i regret that? psssst take a closer look at the wave form! the wave folder is doing its work!.

I want you to compare this sound with:"electronic minute no 18 - vcv rack sqr sequencing"https://freesound. Org/people/gis_sweden/sounds/413520/in this sound, no 19, i use my modular synth. The sound is not as clean as in the virtual one. To some extent i blame my method of recording. . . Different oscillators sound different. Here i use a self oscillating filter. That produces a clean sinus wave. The cleanest sinus in my rack. But i guess the real thing is not perfect and that is what you are hearing? in neither of the patches i use a quantizer. . . (that's art :-)and, i almost forgot, i use a cheap analog delay pedal. Noisy. . .

An alarm inspired by the utsuho reiuji one in touhou 11/12. 3! this might have been done with a vst called ice cream but that's only because i hear some suggestions of a tritone in there. (i made this a while ago. ) in any case, it appears to be the result of noodling around in mixcraft 6!.

One-shot sample from portable tape recorder. Sound sources from broken cassettes, field recordings and tape speed manipulation. Suitable for drum rack.

Generative modular acid line sequenced with my own custom script that is specialized for non-quantized sort of strings of notes. I mangled the envelope quite a bit though so it just sounds more swingy than anything i guess. Not sure what the bpm would be. Would be better if it were cut up for one-shot sounds maybe.

This is a little 'electronic eurorack modular synth jam'. I am singularly the one recording, producing/ posting and composing/ compiling the works as it is recorded. The date was september 04th, 2021 and it has an ''as-is'' no alteration. . Touching up. . Or thus otherwise that the uploading and steam compression did during the posting and uploading process but - take it kindly please. Lol. I would like to hear your honest options in comments as this is not anything like the music i usually do - much less dare to upload lol! ha!. Thnaks!.

110 bpm, c notes, middle c, with a 1/4 wobble, half as sine, half as sawtooth descending, with random sounds and filters. Used : http://www. Freesound. Org/people/spankmyfilth/sounds/214265/with one more note.

This is an electric guitar loop i constructed in logic 9 using musiclab's realstrat and realeight. Nice plug-ins. Check out prominy if you are looking for even more realistic virtual instrument guitars. 106 bpm.

Futuristic mechshop atmosphere created inside flstudio with filtered white noise generators, flstudio wasp, pitch envelopes, channel gain automation plus lashings of reverb for effect. Each one of the nonsensical announcements at the start are entirely synthetic. They're text to speech, done on-the-fly, with pre-fader pitch modulation embedded in automation track. No synths were harmed in the making of this cacophany.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

One of a series of recordings i made from a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. These sounds might serve you well for game and ui sound design! recorded into a universal audio arrow.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

Sustained m7 chord, root note e3, 45bpm. This is a small preview of an upcoming ambient sample pack i'm working on, which i'll be releasing to promote a short ep i've completed this year. The pack will come with lots of soft pads, synth one shots and soundscapes. It will be completely free of course and under creative commons 0, you can follow me here for updates. As always, feedback is very welcome!.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 5. 20 modules involved. The ending is just modular freak-out. . . Whit the turn of one pot. . . Leading to some nice sound fx.

Modular made space (?) sound. Made a patch that generated some typicalmodular space sounds. Recorded. And now are you listening. Tip: take a part of the sound that seems to be quiet. Open it in yoursound editor. Amplify. . . Space is everywhere. Now slow down the speedof your sample. . . Space is deeeep and have multiple dimensions :-).

Another patch on vcv rack. Sick! why am i doing this when i have the real thing :-) well it's fun and convenient. I can test modules and patch ideas. If i have three square waves i will do this one at home too. I have done similar patches before on my eurorack. . . . ((. . . And i can do it at work. . . )).

A simple the tune melody i made in garageband for something called victors crypt. It's just one synth-sound with additional sound in the background. Could be used for something eerie, scary and evil. In the background to make a suspence feeling perhaps?. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance and hail satan!.

That's not me. That's a sound i recorded from a synthesizer, on my tape recorder. It's supposed to be the sound of a man laughing - i think it sounds like one of my characters laughing. His name is david mcmurturie-alexander (also known as replica david).

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one short loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

Wind noise, made from several segments of white noise with different eq and flange settings, cross-faded to form one long loop. I probably used soundforge's accoustic mirror, but i can't remember for sure. This was inspired by;http://www. Freesound. Org/people/anton/sounds/2690/andhttp://www. Freesound. Org/people/erh/sounds/34338/. . . Two very good wind samples, in my humble opinion.

For my 300th sound i wanted to wait a while until one came up that was right. This is what i present to you as my 300th freesound. A dark and creepy wee drone. From jarred gibb - drones. Keep an eye out for my upcoming pack - mcdonalds.

I whipped up this wacky reinterpretation of the twilight zone intro while doing a sound design concept. This was made using "caustic" an android music creation app by single cell software on my htc one. Http://www. Singlecellsoftware. Com/caustic. I used a default piano synth, played around by ear and applied aparametric equalizer effect. I'm not much of a musician but it turned out alright! :).

The original source for stretchdrone01. Aiff. Made back in 1980 on an octave/cat synthesizer and recorded to cassette. It's from a series of work tapes that i and my friend stephen mackay made under the "band" name late capitalism. The title for this one was "a five year contract with disney". We never did much with this material so feel free to use it as you see fit. Enjoy.

Bit of the score from a government educational film entitled "injected water protected water," available from archive. Org under the cc 1. 0 license. Conveniently, the soundtrack of this little beauty was dual mono with one track for dialog and one track for this fantastically awful score. I simply cut up the track into individual cues. All the level changes, abrupt endings, bad edits, etc. Are all native to the original material. For the original film in all of its early 90's vhs glory, go here: http://www. Archive. Org/details/gov. Ca. Cdc. Doggr. 2. 3.

formatted for use in the make noise morphagene. This is a small collection of splices from inside my modular and some field recordings. These recordings correspond with some of my influences and hobbies of skateboarding, scuba diving, and camping. With these in a morphagene one is able to have a small window into my brain and how i sometimes see modular music. All splices made to work well with the make noise music system. Enjoy. .

One-shot sample created from portable cassette tape recorders. Sound sources from broken cassettes, internal feedback modulation and tape speed manipulation. All original sounds. Suitable for drum rack/ drum machine sequencing.

This is reminiscent of the sound playing in friday the 13th pt. 2 when jenny puts on pamela vorhees old sweater and pretends to be her in an attempt to trick jason. One of the lines she repeats during the scene is "jason, mother is talking to you", hence the file name. This was made in fl studio using morphine. Its got a very eerie sound to it thats for sure. Use it in you horror score or for whatever you like.

I was just going through my sounds, when i decided "hey. . . I'm gonna release this. " so here you all go! i'm really proud of how this turned out. This, as you can tell, is a deep eerie ambience loop. It can be used for anything you want. I like to leave things up to the imagination of the audience. How it was made:. Software used:-fl studio 20-harmor-harmless-fruity parametric eq 2-valhallaroom. So basically what i did was get a low pitch sawtooth waveform, put it through some effects like harmonization, a low pass filter with high resonance, a phaser, and a load of distortion. The main synth is made with harmor. (yes, this is all one synth. It just has a lot of dynamics. ) i then processed it with some eqing. What made this sound what it is would be the reverb. I put 2 layers of valhallaroom on the synth. One has a very short decay time, and gives it texture. The other gives it the atmosphere. To add some more depth, for the final touch, i layered a sub-bass underneath it. Which is just a low sine-wave with reverb on it, which i used harmless to make. I hope you enjoy this!.

Boards of canada is one of my biggest influences, i made these chord progression, hope you like and enjoy. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

This is part of a set of samples demonstrating the capabilities of the diy version of the hexinverter mutant clap module (eurorack/modular synth). Of particular note is the noise bleed present in some hexinverter diy products as discussed on the muffwiggler forum. Except where noted as "with vca," all samples are recorded without added effects or processing. "with vca" samples have been tidied up with an envelope modulated vca. One may choose to see the bleed as a feature or flaw. . .

Yep this is a crazy sound. What have i done. . . I have build a nonlinearcircuits sloth lfo. Https://www. Modulargrid. Net/e/nonlinearcircuits-sloth-4hpedited info:i have built the regular version. The sloth has two outputs x and y. I connected x to control frequency on one oscillator and y to control amplitude on another oscillator. Frequency experiment on left channel. Amplitude experiment on the right. The file starts as the amplitude is 0. Next time the amplitude is 0 (almost) is at about 48 sec. Then 48 sec later, at 1:37 the amplitude is 0 again. The two cycles are not identical. The tones are harder to analyze. . . X and y outputs. I guess those corresponds to x and y in a coordinate system. You can find video clips watching the sloth “drawing” butterfly wings. For example:https://www. Youtube. Com/watch?v=0ku6npz1s4gand maybe check this:https://www. Youtube. Com/watch?v=occhcm5oxp8http://nonlinearcircuits. Blogspot. Se/2014/09/sloth-chaos. Htmlthis later link is the developers page. The constructor (andrew) of this module says that my version completes “1 cycle every 15 seconds”. What does that mean? is one cycle one lap in the butterfly pattern? will the pattern repeat itself? yep, i’m going to ask him…. Edit:andrew answers my questions: “it is a very approximate description of the frequency, cycle is not the proper term to use. . . . Nor is frequency really, but they are descriptions that people can relate to easily. Depending upon the pot settings and whatever other initial conditions that happen to be in place, the signal may traverse the typical double strange attractor path. It may stay in one attractor for several loops before crossing over to the other one. The pattern will never repeats itself, it might come close but won't do it. ”my question: so, one “loop” is one cycle?andrew answers: typically it takes approx 15 seconds to make a rough figure 8, but depending upon the pot and other factors, it may take longer, much longer, sometimes it even pauses whilst deciding which way to go next.

Simple patch. Two oscillators, ring modulation, lfos, vcas and digital effects. No spring reverb this time. Important module is the clock divider. The oscillators where tuned to the same tone one octave apart. Well. . . Not exactly. After having recorded i measured the frequencies 228,8 hz and 117,7 hz. . . But that made the output from the ring modulator interesting. What is generative with this? i modulate amplitude of the sounds and the decay for all thee sounds. This also affects the rhythm sound.

A bunch of weird and hopefully interesting noises. Created using the korg electribe 2 synthesis engine with alot of modulations and asynchron patterns. Post-processing in cubase. It's always nice to hear what projects you use these sounds for. Let me know. ;-). One more thing. Maybe check out my links, perhaps you'll find something you like. :o).

Originally made for the disquiet junto project 0433: "kit bits: create a kit’s worth of percussion samples. ". I used 1. Recordings with a telephone coil microphone recording sounds from an external blu ray drive and a smartphone (telephone coil recorded via behringer xenyx q1202 usb mixer, line-in) and 2. Random recordings from a soma ether device (recorded with zoom h1n, line-in). In these recordings i picked up those areas which i though to be useful for a drum kit, just as i would do it for myself. This track contains all samples in no special order in one file. All samples my own, released into cc0 public domain. Would be nice to hear if someone does something with it. August 2020, 44,1 khz, 16 bit, flac.

Friday. Random. Why this madness? answer: i have patched s/h (sample and hold) random to doepfer a-160 clock divider and that affects the a-161. For the sake of it i patched one of the gates to the ladik r-110 rnd t/g (random trigger and gate). Result much more randomness than i can use. I can tell you that there is a lot of blinking diodes :-) sounds from doepfer a-110 and 2hp osc and sampler soundmachines ul1uloop.

Cptnal's comment on muffwiggler was an big aha moment. He wrote "you could patch the output of one s&h into the input of the next and get yourself a 12-step shift register. " well i don't have 12 s/h. I have 10. . . I would need a lot of sequenced gates to build that shift register. . . In this patch i use 4 s/h. (s/h or s&h is sample and hold. ).

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. Using s-layer, the sample-mangling plugin from twisted tools, i focused on generating short, punchy impulses that leaned into the resonant character of the original monos recordings. These sounds might be useful for ui buttons, as well as designing modern-retro sounds for games.

An instrumental piece i made in garageband for something called victors crypt!. I combined a beat i made on a drum machine with one i made on sampled drums to make it really swing. I added a cocky simple bassline to build more sounds to. Strings, horns and synth sounds were added as well. . . . Could be useful in anything cool, intro, outro, game, dark, eerie, spooky, creepy, scary, horrific, mysterious, crime-ish, thrilling or whatever comes to mind. Feel free to use it as long as you give me the credit for it/write me as composer. And subscribe to and watch my channel :). Be cool, watch and subscribe to victors crypt:https://www. Youtube. Com/channel/uca8o46_wrqzehsdzuwfq3rq. Throw horns, dance & hail satan!.

One of a series of heavily processed recordings i made using a hikari monos cv. It's a small, highly tweakable synthesizer that's great for drones, resonant pings, and all manner of dynamic electronic sounds. ‘slayer’ refers to s-layer, the sample-mangling plugin made by twisted tools. By layering, blending, and mulching the original monos recordings, i was able to get a range of sounds the are dynamic, punchy, and unabashedly stereo. These might be useful for edgy-sounding ui elements.